摘要:內蒙的采風留下的視覺記憶，令我受益匪淺，直到現在回憶起當時的點點滴滴，都能讓我有一種莫名的創作沖動。《林》便是其中之一，大學四年我選擇版畫專業方向，由于版畫的屬性和特質，以其詳細的寫實模仿刻畫我對內蒙的記憶，不如放開對細節的苛求，取之大概，留一主體形式印象。概括、精煉本身意味著版畫表現語言的重要審美特征，在構圖、制版、印制的整個過程中，我一直力求將內蒙印象用版畫的特有語言形式完整表現出來。

關鍵詞：內蒙印象； 塞北文化； 版畫語言 ； 絕版套色

ABSTRACT:In the inner parts of 2009, make me, until now recalled the dribs and drabs, can let me have a sense of creative impulses. The Inner Mongolia. Autumn is one of them, because of the various characteristics, to print the detailed depiction of the memory of my inner, as the details of the roughly, demanding, leave a impression. Summarize and refining itself is an important language expression of engraving aesthetic characteristics, in composition, plate-making, printing process, I have been striving to be impressed by etching language complete inner.

Keywords: Inner Mongolia impression ；Herdsmen culture；Etching language；Out of print adjustment