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      現(xiàn)代重彩《紅河錦繡》設計報告_美術系.doc

      資料分類:美術論文 上傳會員:每日一篇 更新時間:2013-06-28
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      摘要

         云南現(xiàn)代重彩畫以國畫的線條造型,用西方現(xiàn)代繪畫中斑斕的色彩給畫面注入勃勃生機及絢麗色彩,讓人感到賞心悅目。本創(chuàng)作試圖將東西方與現(xiàn)代重彩相關的繪畫語言、技法熔為一爐,具有較強的二維平面感。畫面上豐富艷麗的色彩和夸張與寫實結(jié)合的人物實體,給人一種神奇夢幻的審美感受,具有云南地方特色和裝飾性。充分利用現(xiàn)代的色彩、材質(zhì)運用等方面的特長,把西方抽象、構成和東方裝飾美感引進到繪畫中來,以云南重彩畫特有的造型、肌理、色彩交織而成的視覺美感,強化繪畫的本質(zhì)特征,豐富中國工筆重彩繪畫的表現(xiàn)力。

      關鍵詞:線條造型;色彩;材質(zhì);肌理;意境

       

      ABSTRACT

         In the traditional Chinese painting ChongCaiHua yunnan modern line model,with the western modern painting colors for pictures to inject vitality and brilliant color, let a person feel be good to hear or see. The writing attempts to east-west and modern color painting language, related techniques is a melting furnace, has a strong sense of two-dimensional plane. Screen bright rich colors and exaggerated figures and realistic combination of entities, give a person a kind of magical fantasy aesthetic feeling, with local characteristics of Yunnan and decorative. Make full use of modern color, material use and other aspects of the talent, the western and Oriental decorative beauty of abstract, introduction to painting, in the Yunnan heavy color painting unique shape, texture, color woven into a visual sense of beauty, strengthen the essential feature of Chinese painting, rich traditional Chinese realistic painting performance.

      Keywords: Line shape; color; texture;skin texture

       

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