摘要

　　　隨著當前中國人物畫的發展，中國傳統的國畫創作方式已被打破了，工筆重彩人物占有很重要的地位。中國本土繪畫在唐代就受到西方繪畫的影響（如敦煌壁畫中的凹凸法等），但在總體上由于中原文化的強盛還是基本保持了顧愷之以來的基本格局。本創作將工筆人物畫法技法與中國傳統繪畫中的寫意精神相結合，力圖在諳熟的面孔中發現曾經被忽略的東西,并由此引發出新的靈感,創作出既有時代感又有傳統意味的作品。

關鍵詞：色調；技法；意境

ABSTRACT

　　　Along with the development of the Chinese figure painting, traditional Chinese painting creation has been broken, fine brushwork characters occupy very important position. Chinese painting in the Tang Dynasty was influenced by the western painting ( such as the Dunhuang murals in the concave and convex method ), but in general as the Central Plains culture still remained strong since Gu Kaizhi's basic pattern. This creation will fine brushwork figure painting techniques and traditional Chinese painting of freehand spirit together, in order to familiar faces that have been overlooked, resulting in a new inspiration, creation of both contemporary and traditional means of works.

Keywords: Tone; technique; artistic conception