摘要:漆畫成為一門獨立的畫種，以它獨特的藝術魅力有別于油畫、中國畫等；它的語言特征離不開漆的特性和材料、工藝的把握，漆畫的美在于它和其他任何一種繪畫藝術一樣要求漆畫家借住繪畫語言外，還在于適用獨特的材料和工藝；漆畫家吳可人在材料的局限中尋求無限，二十余年在漆畫藝術教學和創作研究上不遺余力、不斷探索、不斷創新，業績卓顯，本文在解讀吳可人漆畫作品創作軌跡的基點上，需求中國漆畫藝術風格與樣式的多元化發展的更深層次的思考；從吳可人的漆畫藝術探索個案研究中獲取一定的啟示。

關鍵詞:漆畫    局限    無限     裝飾性    繪畫性    漆性

Abstract:lacquer painting contacts with its materials and techniques, it’s language features can not apart from the specialities of the lacquer and the management of handicraft and makings which the beauteousness of the lacquer painting is.Artist Keren Wu searchs for unlimitation through limitation.He spares no effort in his study of painting for almost twenty years,and with his continuous exploration and innovation he get more deeper achievement in lacquer painting forms and diversification of styles. To get revelations from Keren Wu’s painting arts and make comments about it.

Keywoyd: lacquerpainting confine  unlimited manufacturability  manufacturability   Paint sex