摘要

　　　就繪畫創作而言，從選材到畫面的構圖以及色彩都會在自覺與不自覺中表露出創作者的個性特征，是創作者自身的個性和知識修養、人文修養等方面在作品中的獨特反映。但無論是創作者個性的發展還是其藝術作品風格的形成，它們都是建立在藝術創造者本身的社會生活的基礎上的。而花鳥畫的產生肇于中國古人的“天人合一”的基本理念，更多地反映了藝術家與自然親和意識。本次創作實踐與研究，是我在認真總結上大學以來的所學所思所想，并且融入了我個人的情感的一次繪畫創作的嘗試，力圖將我對中國畫創作的一些想法盡量地表現出來。我采用了勾、皴、點、染等技法進行創作。 

關鍵詞：繪畫手法；技巧；工筆；國畫顏料

ABSTRACT

　　　As far as the creation of the painting, the characteristic of the painter is revealed more or less from the material, composition of the picture and color. The author’s personality, mastery of his knowledge and humanistic diathesis are reflected uniquely. However, the development of the author’s personality or the constitution of work style, which are established in the basis of creator’s social life. Moreover, the flower-and-bird painting was designed from the basic idea —the unity of heaven and humanity in Chinese ancient times. It reflexes the close consciousness between the artist and nature.  This creation is the combination between the practice and study, the writer concludes the all knowledge that learned and thought in the college. Moreover, the writer blends in the emotions to the creation, which wants to do her best to present some thoughts about the Chinese paints. The ways of this creation includes drawing, cun, dye etc. 

Keywords：skills of painting; technique; gongbi; the pigment of traditional Chinese painting